194 bars of 4/4 at a walking 80 BPM, 9:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
69 out of 100: demanding, mostly on the independence between the hands and the feet.
ride through bars 1-2, silence through bars 3-4, ride through bars 5-6, silence through bars 7-8, ride through bars 9-10 and silence through bars 11-12, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 43-46, 48-49 and 55-58, and 9 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
44
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|8 fills to learn, played 31 times: bars 17, 18, 42, 64, 68, 70 and 25 more.
It cuts the song into 52 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
194 bars, about 9:45 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 31 times: bars 17, 18, 42, 64, 68, 70 and 25 more.