94 bars of 4/4 at a walking 95 BPM, 3:54 of playing, on crash, hi-hat, snare and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-10, hi-hat through bars 11-62, silence through bars 63-70 and hi-hat through bars 71-94.
The beat the song is built on is one bar, played through bars 11-25, 27-62 and 71-73, and 1 more place -- 94.8% of every bar the kit plays. Learn that one and the song is very nearly finished.
11
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |xxx---x-x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
94 bars, about 3:54 at the written tempo. The course breaks it into 5 exercises over 3 sittings, about 17 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.