251 bars of 4/4 at 136 BPM, about 7:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
68 out of 100: demanding, mostly on how fine the subdivision is.
hi-hat through bars 1-10, ride through bars 11-14, toms through bars 15-16, kick and crashes through bars 17-25, hi-hat through bars 26-30 and snare through bars 31-34, and 18 more changes after that.
The beat the song is built on is one bar, played through bars 59-67, 75 and 79-80, and 9 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
60
1...........2...........3...........4...........
HH |x-----x-----x-----x-----x-----x-----x-----x-----|
SD |------------x-----------------------x-----------|
BD |x-----x-----------------x-----x-----------------|17 fills to learn, played 47 times: bars 15, 16, 33, 34, 35, 36 and 41 more.
It cuts the song into 84 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
136 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 47 out of 100; the rest of the number is everything around it.
251 bars, about 7:19 at the written tempo. The course breaks it into 84 exercises over 28 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 47 times: bars 15, 16, 33, 34, 35, 36 and 41 more.