230 bars of 4/4 at 134 BPM, about 6:52 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 2-20, hi-hat through bars 21-33, snare through bars 34-40, hi-hat through bars 41-45, snare through bars 46-49 and hi-hat through bars 50-65, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 50-56, 58-64 and 106-112, and 6 more places -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
51
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |x-------x-x-----|10 fills to learn, played 19 times: bars 9, 17, 31, 32, 33, 41 and 13 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 37 out of 100; the rest of the number is everything around it.
230 bars, about 6:52 at the written tempo. The course breaks it into 50 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 9, 17, 31, 32, 33, 41 and 13 more.