287 bars at 170 BPM -- fast, and 6:45 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
toms through bars 1-50, hi-hat through bars 51-54, toms through bars 55-64, hi-hat through bars 65-176, snare through bars 177-206 and toms through bars 207-209, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 65-95, 97-103 and 105-119, and 1 more place -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
66
1e+a2e+a3e+a4e+a
HH |--x---x-----x---|
SD |--------x-------|
BD |x---------------|23 fills to learn, played 51 times: bars 8, 15, 16, 23, 24, 37 and 45 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 8 out of 100; the rest of the number is everything around it.
287 bars, about 6:45 at the written tempo. The course breaks it into 48 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 51 times: bars 8, 15, 16, 23, 24, 37 and 45 more.