246 bars of 4/4 at 152 BPM, about 6:28 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-32, silence through bars 33-39, hi-hat through bars 40-203, kick and crashes through bars 204-211 and hi-hat through bars 212-246.
The beat the song is built on is one bar, played through bars 40-46, 48-63 and 68-83, and 7 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
41
1.......2.......3.......4.......
HH |x---x---x---x---x---x---x---x---|
SD |----x-------x-------x-------x---|
BD |x-------x-------x-------x-------|19 fills to learn, played 44 times: bars 16, 20, 24, 39, 47, 65 and 38 more.
It cuts the song into 63 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
152 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
246 bars, about 6:28 at the written tempo. The course breaks it into 63 exercises over 20 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 44 times: bars 16, 20, 24, 39, 47, 65 and 38 more.