111 bars of 4/4 at a walking 95 BPM, 4:38 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
75 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-29, snare through bars 30-37, hi-hat through bars 38-53, ride through bars 54-58 and toms through bars 59-60, and 5 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 5-6, 9-10 and 13-14, and 10 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 6
1...........2...........3...........4...........5..... 1...........2...........3...........4...........
CC |x-----------------------------------------------------|------------------------------x-----x-----------|
HH |------x-----x-----x-----x-----x-----x-----x-----x-----|x-----x-----x-----x-----x-----------------------|
SD |------------x-----------------------------x--------gg-|------x--------------x--------x-----x-----------|
T1 |------------------------------------------------------|---------------------------------------x--------|
T2 |------------------------------------------------------|------------------------------------------x--x--|
BD |x-----x--------x--------------x-----------------------|x--------x--------------x--x--------------------|3 fills to learn, played 4 times: bars 29, 60, 70 and 94.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
111 bars, about 4:38 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 29, 60, 70 and 94.