174 bars of 4/4 at a walking 88 BPM, 7:55 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 1-10, hi-hat through bars 11-38, snare through bars 39-60, hi-hat through bars 61-66 and snare through bars 67-174.
The beat the song is built on is one bar, played through bars 37, 39-41 and 43, and 16 more places -- 28.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
37
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|
BD |x--x--x-x--x--x-|6 fills to learn, played 21 times: bars 35, 36, 38, 42, 44, 46 and 15 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
174 bars, about 7:55 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 21 times: bars 35, 36, 38, 42, 44, 46 and 15 more.