107 bars, 7:08, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-16, ride through bars 17-24, hi-hat through bars 25-28, ride through bars 29-36, toms through bars 37-52 and hi-hat through bars 53-68, and 1 more change after that.
The beat the song is built on is one bar, played through bars 17-24, 29-36 and 69-71, and 6 more places -- 38.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17
1...........2...........3...........4...........
CC |x-----------------x-----------------------------|
RD |------x-----x-----------x-----x-----x-----x-----|
SD |------------x-----------------------x-----------|
BD |x-----------------x--------x--x-----------------|4 fills to learn, played 7 times: bars 28, 52, 53, 55, 61, 63 and 1 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
107 bars, about 7:08 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 28, 52, 53, 55, 61, 63 and 1 more.