65 bars of 4/4 at a walking 86 BPM, 3:01 of playing, on ride, hi-hat, snare, kick and hi-hat foot.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-42, ride through bars 43-60 and hi-hat through bars 61-65.
The beat the song is built on is one bar, played through bars 5-41 and 61-64 -- 67.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
5
1e+a2e+a3e+a4e+a
HH |x-xxx-o-x-x-x-x-|
SD |------------r---|
BD |x-----x---x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 9 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
65 bars, about 3:01 at the written tempo. The course breaks it into 9 exercises over 3 sittings, about 22 minutes each.
ride, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.