174 bars at 240 BPM -- fast, and 2:53 of it without a break -- on crash, ride, hi-hat, snare and kick.
72 out of 100: demanding, mostly on how many notes a second it asks for.
kick and crashes through bars 2-9, hi-hat through bars 10-17, ride through bars 18-25, silence through bars 26-27, hi-hat through bars 28-43 and snare through bars 44-47, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 10-17, 48-55 and 68-75, and 2 more places -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |-x-x-x-x-x-x-x-x|
BD |x-x-x-x-x-x-x-x-|4 fills to learn, played 13 times: bars 44, 45, 46, 47, 67, 93 and 7 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
240 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
72 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 70 out of 100; the rest of the number is everything around it.
174 bars, about 2:53 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
4 fills to learn, played 13 times: bars 44, 45, 46, 47, 67, 93 and 7 more.