174 bars of 4/4 at 134 BPM, about 5:12 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
21 out of 100: straightforward, and the one thing to watch is how often it moves around the kit.
silence through bars 1-14, snare through bars 15-66, kick and crashes through bars 67-74 and snare through bars 75-174.
The beat the song is built on is one bar, played through bars 31-37, 39-45 and 47-49, and 17 more places -- 54.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
31
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x-------x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
21 out of 100: straightforward, and the one thing to watch is how often it moves around the kit. The beat itself is 0 out of 100; the rest of the number is everything around it.
174 bars, about 5:12 at the written tempo. The course breaks it into 21 exercises over 5 sittings, about 27 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.