142 bars of 4/4 at 140 BPM, about 4:03 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-17, snare through bars 18-58, hi-hat through bars 59-69, snare through bars 70-81, hi-hat through bars 82-123 and snare through bars 124-135, and 1 more change after that.
The beat the song is built on is one bar, played through bars 18-47 and 70-81 -- 29.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
18
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x-----x-x-------|
HF |x---x-x-x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
142 bars, about 4:03 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 29 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.