88 bars of 4/4 at 128 BPM, about 2:45 of playing, on hi-hat, snare and kick.
21 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.
silence through bars 1-8, kick and crashes through bars 9-16, snare through bars 17-24, kick and crashes through bars 25-32, hi-hat through bars 33-35 and kick and crashes through bars 36-40, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 9-16, 25-30 and 36-40, and 3 more places -- 50.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
9
1e+a2e+a3e+a4e+a
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
21 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
88 bars, about 2:45 at the written tempo. The course breaks it into 23 exercises over 5 sittings, about 29 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.