311 bars of 5/4 -- not four -- at 130 BPM, 11:18 of playing on ride, hi-hat, snare and kick.
45 out of 100, a step up from a first song, and the work is in how fine the subdivision is.
ride through bars 1-74, silence through bars 75-76, ride through bars 77-145, silence through bars 146-152, ride through bars 153-207 and silence through bars 208-209, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 6, 8 and 10-12, and 40 more places -- 37.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
25
1...............2...............3...............4...............5...............
RD |x---------------x---------------x-------x---------------x---------------x-------|
HH |----------------x---------------------------------------x-----------------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 5/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 18 out of 100; the rest of the number is everything around it.
311 bars, about 11:18 at the written tempo. The course breaks it into 38 exercises over 9 sittings, about 26 minutes each.
ride, hi-hat, snare and kick. Nothing in the part asks for anything else.