156 bars of 4/4 at 120 BPM, about 5:12 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-32, ride through bars 33-37, hi-hat through bars 38-80, ride through bars 81-86 and hi-hat through bars 87-124, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 53-59, 61-80 and 87-95, and 5 more places -- 43.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
54
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |--x-----x-x---x-|10 fills to learn, played 18 times: bars 12, 35, 36, 40, 44, 48 and 12 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
156 bars, about 5:12 at the written tempo. The course breaks it into 42 exercises over 10 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 12, 35, 36, 40, 44, 48 and 12 more.