221 bars of 4/4 at 136 BPM, about 5:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
67 out of 100: demanding, mostly on how many notes a second it asks for.
silence through bars 1-8, hi-hat through bars 9-16, ride through bars 17-18, hi-hat through bars 19-22, ride through bars 23-24 and hi-hat through bars 25-65, and 12 more changes after that.
The beat the song is built on is one bar, played through bars 42-47, 54-59 and 184-189, and 1 more place -- 11.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
42
1e+a2e+a3e+a4e+a
HH |x-o-x-x-x-o---x-|
SD |----x-------xx--|
BD |x-x---x-x-x---x-|
HF |----x-------x---|22 fills to learn, played 66 times: bars 6, 18, 19, 20, 21, 22 and 60 more.
It cuts the song into 81 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 43 out of 100; the rest of the number is everything around it.
221 bars, about 5:29 at the written tempo. The course breaks it into 81 exercises over 28 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 66 times: bars 6, 18, 19, 20, 21, 22 and 60 more.