152 bars of 4/4 at 112 BPM, about 5:25 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 2-39, snare through bars 40-41, ride through bars 42-45, hi-hat through bars 46-57, ride through bars 58-65 and hi-hat through bars 66-67, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 10-35, 38-39 and 46-49, and 3 more places -- 27.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-x-----|6 fills to learn, played 9 times: bars 40, 41, 69, 116, 117, 121 and 3 more.
It cuts the song into 40 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
152 bars, about 5:25 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 40, 41, 69, 116, 117, 121 and 3 more.