88 bars of 4/4 at 110 BPM, about 3:08 of playing, on crash, ride, hi-hat, snare and kick.
86 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
silence through bars 1-16, hi-hat through bars 17-24, ride through bars 25-31, hi-hat through bars 32-50, ride through bars 51-57 and hi-hat through bars 58-88.
The beat the song is built on is one bar, played through bars 17-24, 32 and 64, and 1 more place -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
17
1.......2.......3.......4.......
CC |x-------------------------------|
HH |----o---o---o---o---o---o---o---|
SD |--x---x---x---x---x---x---x---x-|
BD |x---x---x---x---x---x---x---x---|5 fills to learn, played 13 times: bars 28, 29, 30, 31, 36, 42 and 7 more.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
86 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 82 out of 100; the rest of the number is everything around it.
88 bars, about 3:08 at the written tempo. The course breaks it into 25 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
5 fills to learn, played 13 times: bars 28, 29, 30, 31, 36, 42 and 7 more.