193 bars of 4/4 at a walking 86 BPM, 8:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
67 out of 100: demanding, mostly on how fine the subdivision is.
ride through bars 1-8, hi-hat through bars 9-24, ride through bars 25-28, hi-hat through bars 29-44, ride through bars 45-68 and hi-hat through bars 69-84, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 9, 11 and 13, and 21 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9
1.......2.......3.......4.......
HH |x---x---x---x---x---x-x-o---o---|
SD |------g---g---g-X---------------|
BD |x-------------------------------|
HF |--------------------------x---x-|12 fills to learn, played 16 times: bars 59, 61, 65, 67, 99, 101 and 10 more.
It cuts the song into 64 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
86 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 58 out of 100; the rest of the number is everything around it.
193 bars, about 8:43 at the written tempo. The course breaks it into 64 exercises over 20 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 16 times: bars 59, 61, 65, 67, 99, 101 and 10 more.