150 bars of 4/4 at 110 BPM, about 5:22 of playing, on crash, ride, hi-hat, snare and kick.
53 out of 100, a step up from a first song, and the work is in how fine the subdivision is.
hi-hat through bars 1-62, ride through bars 63-66, hi-hat through bars 67-74, ride through bars 75-78, hi-hat through bars 79-85 and ride through bars 86-90, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 15-62 and 112-150 -- 60.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
16
1...........2...........3...........4...........
HH |o-----------o-----------o-----------o-----------|
SD |------------------------x-----------------------|
BD |x-----------------------------------------------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 23 out of 100; the rest of the number is everything around it.
150 bars, about 5:22 at the written tempo. The course breaks it into 18 exercises over 7 sittings, about 21 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.