127 bars of 4/4 at 128 BPM, about 3:38 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-13, snare through bars 14-23, silence through bars 24-25, snare through bars 26-28, toms through bars 29-30 and hi-hat through bars 31-51, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 15-22, 55-70 and 103-117, and 2 more places -- 39.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
18
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-----xx|
BD |x---x-x---x-----|6 fills to learn, played 29 times: bars 29, 30, 53, 54, 77, 78 and 23 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
127 bars, about 3:38 at the written tempo. The course breaks it into 24 exercises over 10 sittings, about 22 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 29 times: bars 29, 30, 53, 54, 77, 78 and 23 more.