248 bars of 4/4 at 145 BPM, about 6:50 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-92, hi-hat through bars 93-108, snare through bars 109-124, silence through bars 125-147, toms through bars 148-149 and silence through bars 150-152, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 109, 111 and 113-115, and 32 more places -- 36.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
111
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-----x-------x-|9 fills to learn, played 31 times: bars 107, 108, 112, 116, 120, 160 and 25 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
36 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
248 bars, about 6:50 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 31 times: bars 107, 108, 112, 116, 120, 160 and 25 more.