146 bars of 4/4 at 150 BPM, about 3:54 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-10, kick and crashes through bars 11-18, hi-hat through bars 19-42, toms through bars 43-44, hi-hat through bars 45-68 and toms through bars 69-70, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 27-33, 35-37 and 39, and 12 more places -- 43.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
46
1...............2...............3...............4...............
HH |o---------------o---------------o---------------o---------------|
SD |----------------x----------x--------------------x---------------|
BD |x----------x--------------------x----------x---------x-----x----|7 fills to learn, played 11 times: bars 26, 43, 44, 52, 60, 87 and 5 more.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 70 out of 100; the rest of the number is everything around it.
146 bars, about 3:54 at the written tempo. The course breaks it into 31 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 26, 43, 44, 52, 60, 87 and 5 more.