75 bars of 4/4 at a walking 81 BPM, 3:42 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
70 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-12, hi-hat through bars 13-29, silence through bars 30-33, hi-hat through bars 34-50, silence through bars 51-58 and hi-hat through bars 59-75.
The beat the song is built on is one bar, played through bars 14-15, 19-20 and 23-24, and 9 more places -- 45.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
14
1.......2.......3.......4.......
HH |x---x---x---x---x---o---x-x-x---|
SD |--g-----x-----g---g-----x-----gg|
BD |x-----x-----x-------x-----------|5 fills to learn, played 7 times: bars 25, 41, 42, 59, 67, 71 and 1 more.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
81 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
75 bars, about 3:42 at the written tempo. The course breaks it into 12 exercises over 5 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 25, 41, 42, 59, 67, 71 and 1 more.