116 bars of 4/4 at a walking 96 BPM, 4:50 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-40, snare through bars 41-44, hi-hat through bars 45-48, ride through bars 49-52, hi-hat through bars 53-84 and ride through bars 85-88, and 1 more change after that.
The beat the song is built on is one bar, played through bars 21, 23 and 25-26, and 10 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x--x-x--|8 fills to learn, played 15 times: bars 16, 20, 27, 28, 48, 52 and 9 more.
It cuts the song into 40 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
116 bars, about 4:50 at the written tempo. The course breaks it into 40 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 16, 20, 27, 28, 48, 52 and 9 more.