110 bars of 4/4 at 140 BPM, about 3:06 of playing, on crash, hi-hat, snare, mid tom and kick.
78 out of 100: demanding, mostly on how many notes a second it asks for.
silence through bars 1-18, hi-hat through bars 19-105 and snare through bars 106-110.
The beat the song is built on is one bar, played through bars 29-36, 38 and 53-57, and 1 more place -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
29
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |x-x-x-x-x-x-x-x-|
BD |xxxxxxxxxxxxxxxx|11 fills to learn, played 20 times: bars 18, 23, 24, 26, 28, 39 and 14 more.
It cuts the song into 44 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 77 out of 100; the rest of the number is everything around it.
110 bars, about 3:06 at the written tempo. The course breaks it into 44 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
11 fills to learn, played 20 times: bars 18, 23, 24, 26, 28, 39 and 14 more.