145 bars of 4/4 at 145 BPM, about 4:00 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-24, toms through bars 25-30, hi-hat through bars 31-42, snare through bars 43-64, hi-hat through bars 65-66 and toms through bars 67-72, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 33-39, 73-79 and 97-103, and 8 more places -- 37.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
33
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---x---x---xx--|7 fills to learn, played 17 times: bars 31, 32, 40, 65, 66, 72 and 11 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
145 bars, about 4:00 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 31, 32, 40, 65, 66, 72 and 11 more.