120 bars of 4/4 at a walking 78 BPM, 6:09 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
33 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-12, hi-hat through bars 13-16, toms through bars 17-33, hi-hat through bars 34-45, snare through bars 46-48 and hi-hat through bars 49-58, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 34-40, 42-48 and 50-52, and 3 more places -- 41% of every bar the kit plays. Learn that one and most of the song is already under your hands.
35
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-------x-x-----|9 fills to learn, played 12 times: bars 16, 31, 32, 33, 41, 49 and 6 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
33 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
120 bars, about 6:09 at the written tempo. The course breaks it into 34 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 12 times: bars 16, 31, 32, 33, 41, 49 and 6 more.