121 bars of 4/4 at 131 BPM, about 3:42 of playing, on hi-hat, snare, mid tom and kick.
30 out of 100 -- a fair first song -- with the speed of the hand keeping time the part that decides it.
silence through bars 1-5, hi-hat through bars 6-15, silence through bars 16-18 and hi-hat through bars 19-121.
The beat the song is built on is one bar, played through bars 11-15, 20 and 24-25, and 20 more places -- 34.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
20
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |--------r-------|
BD |--------------x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
30 out of 100 -- a fair first song -- with the speed of the hand keeping time the part that decides it. The beat itself is 16 out of 100; the rest of the number is everything around it.
121 bars, about 3:42 at the written tempo. The course breaks it into 19 exercises over 5 sittings, about 23 minutes each.
hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.