75 bars of 8/4 -- not four -- at 118 BPM, 4:56 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-5, ride through bars 6-9, hi-hat through bars 10-13, ride through bars 14-17, hi-hat through bars 18-25 and ride through bars 26-30, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 6-9, 14-17 and 27-30 -- 34.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6
1e+a2e+a3e+a4e+a5e+a6e+a7e+a8e+a
CC |x-------------------------------|
RD |----x---x---x---x---x---x---x---|
SD |--------x---------------x-------|
BD |x-----x----x--x-x-----x----x--x-|2 fills to learn, played 6 times: bars 21, 23, 25, 34, 36 and 38.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
118 BPM, in 8/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 41 out of 100; the rest of the number is everything around it.
75 bars, about 4:56 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 6 times: bars 21, 23, 25, 34, 36 and 38.