237 bars of 4/4 at 120 BPM, about 7:54 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
kick and crashes through bars 3-4, silence through bars 5-8, hi-hat through bars 9-31, ride through bars 32-37, hi-hat through bars 38-141 and silence through bars 142-154, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 40-41, 83-85 and 87-90, and 7 more places -- 32.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
41
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |--------x-------|
BD |x---x-----------|9 fills to learn, played 13 times: bars 31, 82, 86, 102, 106, 187 and 7 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 16 out of 100; the rest of the number is everything around it.
237 bars, about 7:54 at the written tempo. The course breaks it into 38 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 31, 82, 86, 102, 106, 187 and 7 more.