117 bars of 4/4 at a walking 108 BPM, 4:20 of playing, on crash, ride, hi-hat, snare and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-21, ride through bars 22-25, hi-hat through bars 26-47, ride through bars 48-51 and hi-hat through bars 52-65, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 2-3, 6-7 and 10-11, and 22 more places -- 41% of every bar the kit plays. Learn that one and most of the song is already under your hands.
2
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-x-o-x-o-x-o-|
SD |----x-------x---|
BD |x-------x-------|7 fills to learn, played 11 times: bars 1, 25, 51, 66, 67, 83 and 5 more.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
117 bars, about 4:20 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
7 fills to learn, played 11 times: bars 1, 25, 51, 66, 67, 83 and 5 more.