305 bars of 4/4 at 120 BPM, about 10:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-15, toms through bars 16-17, ride through bars 18-23, toms through bars 24-26, hi-hat through bars 27-38 and toms through bars 39-41, and 26 more changes after that.
The beat the song is built on is one bar, played through bars 96-98, 102-116 and 120-122, and 10 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
96
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-x-x-x---x-x-x-|16 fills to learn, played 33 times: bars 16, 17, 23, 24, 25, 29 and 27 more.
It cuts the song into 85 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
305 bars, about 10:09 at the written tempo. The course breaks it into 85 exercises over 20 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 33 times: bars 16, 17, 23, 24, 25, 29 and 27 more.