219 bars of 3/4 -- not four -- at 149 BPM, 5:00 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
74 out of 100: demanding, mostly on how many notes a second it asks for.
ride through bars 1-16, hi-hat through bars 17-30, ride through bars 31-43, hi-hat through bars 44-47, ride through bars 48-60 and hi-hat through bars 61-64, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 84-89, 92-97 and 100-105, and 3 more places -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
85
1e+a2e+a3e+a4e+a
CC |--------x-------|
SD |--------x-------|
T1 |x---x---x---x---|
FT |-xxx-xxx-xxx-xxx|
BD |xxxxxxxxxxxxxxxx|24 fills to learn, played 101 times: bars 12, 16, 17, 18, 19, 20 and 95 more.
It cuts the song into 70 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
149 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 44 out of 100; the rest of the number is everything around it.
219 bars, about 5:00 at the written tempo. The course breaks it into 70 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 101 times: bars 12, 16, 17, 18, 19, 20 and 95 more.