87 bars of 4/4 at 127 BPM, about 2:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-16, ride through bars 17-18, toms through bars 19-20, snare through bars 21-28 and hi-hat through bars 29-36, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 41-43, and 9 more places -- 35% of every bar the kit plays. Learn that one and most of the song is already under your hands.
21
1e+a2e+a3e+a4e+a
CC |x---x---x---x-x-|
SD |----x-------x---|
BD |x-------x-x---x-|10 fills to learn, played 17 times: bars 16, 19, 20, 24, 28, 36 and 11 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
87 bars, about 2:44 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 16, 19, 20, 24, 28, 36 and 11 more.