146 bars at 164 BPM -- fast, and 3:34 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-19, hi-hat through bars 20-33, snare through bars 34-41, hi-hat through bars 42-73, snare through bars 74-81 and hi-hat through bars 82-97, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 42-56, 82-88 and 90-96, and 3 more places -- 33.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
43
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----X-------X---|
BD |x-----x---x-----|7 fills to learn, played 13 times: bars 25, 33, 41, 57, 59, 65 and 7 more.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
164 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
146 bars, about 3:34 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 25, 33, 41, 57, 59, 65 and 7 more.