97 bars of 4/4 at 125 BPM, about 3:06 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-7, toms through bars 8-15, snare through bars 16-27, toms through bars 28-36, hi-hat through bars 37-40 and snare through bars 41-97.
The beat the song is built on is one bar, played through bars 17-19, 21-22 and 25-27, and 9 more places -- 41.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
18
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |----x--x-x--x---|
BD |x-------x-x---x-|12 fills to learn, played 23 times: bars 20, 23, 24, 36, 44, 48 and 17 more.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
97 bars, about 3:06 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 23 times: bars 20, 23, 24, 36, 44, 48 and 17 more.