141 bars of 4/4 at 110 BPM, about 5:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 3-12, silence through bars 13-14, kick and crashes through bars 15-37, snare through bars 38-42, hi-hat through bars 43-44 and kick and crashes through bars 45-48, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 31-34, 36-38 and 45-46, and 6 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
31
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
BD |x---x---x---x---|7 fills to learn, played 12 times: bars 4, 35, 41, 43, 44, 66 and 6 more.
It cuts the song into 44 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 1 out of 100; the rest of the number is everything around it.
141 bars, about 5:08 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 4, 35, 41, 43, 44, 66 and 6 more.