127 bars of 4/4 at 120 BPM, about 4:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-16, snare through bars 17-26, ride through bars 27-42, hi-hat through bars 43-50, snare through bars 51-56 and ride through bars 57-72, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 1-26, 43-49 and 51-55, and 4 more places -- 44.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
17
1.....2.....3.....4.....
CC |x-----------x-----------|
SD |------------x-----------|
BD |x-----x-x-x-x-----x-x-x-|9 fills to learn, played 14 times: bars 50, 56, 72, 82, 84, 88 and 8 more.
It cuts the song into 27 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
127 bars, about 4:14 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 50, 56, 72, 82, 84, 88 and 8 more.