255 bars at 260 BPM -- fast, and 3:55 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
64 out of 100, a step up from a first song, and the work is in how many notes a second it asks for.
hi-hat through bars 1-16, ride through bars 17-31, snare through bars 32-47, ride through bars 48-54, snare through bars 55-86 and toms through bars 87-91, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 33-38, 40-46 and 56-70, and 3 more places -- 28.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
33
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
SD |x-x-x-x-x-x-x-x-|
BD |x-x-x-x-x-x-x-x-|13 fills to learn, played 60 times: bars 39, 47, 55, 71, 87, 88 and 54 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
260 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 27 out of 100; the rest of the number is everything around it.
255 bars, about 3:55 at the written tempo. The course breaks it into 50 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 60 times: bars 39, 47, 55, 71, 87, 88 and 54 more.