143 bars of 4/4 at 120 BPM, about 4:46 of playing, on crash, snare and kick.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-7, snare through bars 8-88, silence through bars 89-95, snare through bars 96-99, silence through bars 100-101 and snare through bars 102-141, and 1 more change after that.
The beat the song is built on is one bar, played through bars 9-10, 12-13 and 15-18, and 12 more places -- 85.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
9
1e+a2e+a3e+a4e+a
SD |--x---x---x---x-|
BD |xx-xxx-xxx-xxx-x|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
143 bars, about 4:46 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 22 minutes each.
crash, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.