122 bars of 4/4 at a walking 105 BPM, 4:39 of playing, on crash, snare, floor tom and kick.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, snare through bars 5-88, silence through bars 89-92, snare through bars 93-120 and kick and crashes through bars 121-122.
The beat the song is built on is one bar, played through bars 5-8, 25-40 and 42, and 2 more places -- 23% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25
1.......2.......3.......4.......
CC |x-------x-------x-------x-------|
SD |----------------x---------------|
BD |x---x-------x-------x-------x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
105 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
122 bars, about 4:39 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 27 minutes each.
crash, snare, floor tom and kick. Nothing in the part asks for anything else.