74 bars of 4/4 at a walking 106 BPM, 2:45 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 1-4, hi-hat through bars 5-41, snare through bars 42-45, hi-hat through bars 46-53, kick and crashes through bars 54-57 and hi-hat through bars 58-61, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 10-11, 14 and 19, and 8 more places -- 29.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-o-|
SD |----x-------x---|
BD |x-------x-------|4 fills to learn, played 7 times: bars 8, 22, 23, 61, 65, 73 and 1 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 27 out of 100; the rest of the number is everything around it.
74 bars, about 2:45 at the written tempo. The course breaks it into 24 exercises over 6 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 8, 22, 23, 61, 65, 73 and 1 more.