67 bars of 4/4 at a walking 80 BPM, 3:21 of playing, on hi-hat, snare, mid tom and kick.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-12, silence through bars 13-16, hi-hat through bars 17-40, silence through bars 41-52 and hi-hat through bars 53-67.
The beat the song is built on is one bar, played through bars 1-9, 11 and 17-25, and 4 more places -- 86.8% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x-----x-x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 7 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
67 bars, about 3:21 at the written tempo. The course breaks it into 7 exercises over 3 sittings, about 20 minutes each.
hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.