71 bars of 4/4 at 127 BPM, about 2:14 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-32, snare through bars 33-50, silence through bars 51-52 and hi-hat through bars 53-71.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 9-15 and 17-19, and 2 more places -- 36.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
5 6
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----x-g-x-g-x-g-|x-g-x-g-x-g-x-g-|
SD |--------x-------|--------x-------|
BD |x---------------|---x--x---x-x---|2 fills to learn, played 2 times: bars 28 and 70.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
71 bars, about 2:14 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 28 and 70.