177 bars at 264 BPM -- fast, and 2:41 of it without a break -- on crash, hi-hat, snare, mid tom and kick.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-9, hi-hat through bars 10-15, snare through bars 16-17, hi-hat through bars 18-37, snare through bars 38-41 and hi-hat through bars 42-47, and 17 more changes after that.
The beat the song is built on is one bar, played through bars 10-15, 26-29 and 34-36, and 15 more places -- 53.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
11
1e+a2e+a3e+a4e+a
HH |o---o---o---o---|
SD |----x-------x---|
BD |X-X-----X-X-----|4 fills to learn, played 22 times: bars 9, 17, 37, 41, 49, 57 and 16 more.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
264 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
177 bars, about 2:41 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
4 fills to learn, played 22 times: bars 9, 17, 37, 41, 49, 57 and 16 more.