188 bars of 4/4 at 132 BPM, about 5:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
79 out of 100: demanding, mostly on how many notes a second it asks for.
snare through bar 1, hi-hat through bars 2-10, snare through bars 11-12, hi-hat through bars 13-16, snare through bars 17-18 and hi-hat through bars 19-22, and 15 more changes after that.
The beat the song is built on is one bar, played through bars 49-51, 53-55 and 77-79, and 3 more places -- 9.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
50
1...........2...........3...........4...........
RD |x-----x-----x-----x-----x-----x-----x-----x-----|
SD |------x-----------x-----------x-----------x-----|
BD |x-----------x--x--------x-----------x--x--------|32 fills to learn, played 60 times: bars 10, 11, 12, 14, 17, 18 and 54 more.
It cuts the song into 77 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 71 out of 100; the rest of the number is everything around it.
188 bars, about 5:42 at the written tempo. The course breaks it into 77 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
32 fills to learn, played 60 times: bars 10, 11, 12, 14, 17, 18 and 54 more.