77 bars of 4/4 at a walking 92 BPM, 3:21 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 2-17, hi-hat through bars 18-24, snare through bars 25-37, hi-hat through bars 38-46, silence through bars 47-49 and hi-hat through bars 50-53, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 10-12, and 6 more places -- 37.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
2
1e+a2e+a3e+a4e+a
CC |x-x-x-x-x-x-x-x-|
SD |----X-------X---|
BD |xxx---x-xxx-----|9 fills to learn, played 26 times: bars 17, 20, 21, 24, 25, 38 and 20 more.
It cuts the song into 26 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
77 bars, about 3:21 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 26 times: bars 17, 20, 21, 24, 25, 38 and 20 more.