101 bars of 4/4 at a walking 83 BPM, 4:52 of playing, on crash, hi-hat, snare, floor tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-16, silence through bars 17-20, hi-hat through bars 21-76, silence through bars 77-80 and hi-hat through bars 81-101.
The beat the song is built on is one bar, played through bars 5-16, 21-28 and 43-54, and 1 more place -- 40% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |----x----x--x---|
BD |x-x----x--x--x--|6 fills to learn, played 11 times: bars 36, 42, 62, 71, 72, 80 and 5 more.
It cuts the song into 19 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
101 bars, about 4:52 at the written tempo. The course breaks it into 19 exercises over 6 sittings, about 24 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
6 fills to learn, played 11 times: bars 36, 42, 62, 71, 72, 80 and 5 more.